NASHVILLE ANIMATOR WINS THREE TV DEVELOPMENT DEALS FROM THE NEW YORK TELEVISION FESTIVAL

NEW YORK, NY – The New York Television Festival was held September 19-24, 2011. Nashville animator Mike Salva left the festival with three development deals for his comedic animation work, more than any other artist received at the festival this year.

The New York Television Festival provides unprecedented access for emerging television artists looking to showcase new and innovative ideas for television programming.

Bing “Decisions” Project

NYTVF teamed up with Microsoft’s Bing search engine and Ben Silverman’s Electus studio to develop a new show created by a member of the NYTVF community. Mike Salva’s cartoon “Death Row Diet” won this competition, receiving a $25,000 development deal.

“Death Row Diet” stars Jonathan Katz (best known for Comedy Central’s “Dr. Katz, Professional Therapist”) and Tom Leopold (who wrote episodes for “Seinfeld”, “Cheers”, “Will & Grace”, others) about a man who is on death row and Weight Watchers.

MTV’s “Voice and Vision” Awards

MTV offered two development deals at the television festival for comedic animation submissions. The awards, each valued at $5,000, were to be presented to an outstanding comedic writer (“Voice”) and animator (“Vision”). Although the awards could have been given to separate entrants, NYTVF gave both awards to Mike Salva for his “Pound Dogs” cartoon.

“Pound Dogs” was a 100% Nashville-based production, with Nashville standup comedians Ryan Williams and Sean Parrott in the lead roles. Williams and Parrott play comedic cartoon dogs that live in an animal shelter. The cast also includes Andy Merrill (Brak from Adult Swim’s “Space Ghost Coast to Coast”; “Aqua Teen Hunger Force”), Samantha Newark (best known as Jem & Jerrica on the 80s animated series “Jem”) and Nashville filmmaker/singer/producer Steve Taylor.

More information about the New York Television Festival can be found at www.nytvf.com. More information about Salva’s animation work can be found at www.projectmeatball.com. Find Ryan Williams online at MyBlisteringHell.com and Sean Parrott can be reached on Facebook.

EDITORIAL NOTE: This is an opinion piece written by comedian Chad Riden, who does not represent or speak on behalf of anyone, including sometimes himself.

Today, comedian Louis CK took to twitter to defend Tracy Morgan. Over the course of several tweets, he said:

Tracey Morgan said something wrong, evil, cruel, ignorant and hilarious. He was on a comedy stage, not at a pulpit. You have a right to be offended, sound off. As a man who hates violence and discrimination against gays or anyone, I was not offended.

I can have two thoughts simultaneously. 1. Gay people have a right to grow up and live in confidence happiness, honesty and equality. thought 2. Tracey Morgan is ridiculous and I love watching him just go to wrongful and crazy places in his mind and I can laugh.

If every word a person says has to be right and balanced and fair, I will jump off a tall thing onto a hard place. It is clear to anyone with an ability to reason and understand people that he didn’t mean a word of what he said. he was fucking around.

Louis is 100% correct.

I was at the show and although the bit in question did not get laughs from ME, it DID get laughs at The Ryman that night. His “tone” wasn’t any different from when he was talking about butt-fucking “retards” or when he was talking about how women should be at home cooking. Where is the outrage from the retards? Why aren’t we talking about women’s rights right now?

The Tracy Morgan controversy is NOT about Tracy. It’s 100% about TN HB 600 / SB 632 & Stacy Campfield’s ridiculous “Don’t Say Gay” legislation — Both Tennessee state bills are terrible, hate-fueled legislation proposed by Republicans and GLAAD is using Tracy Morgan as a pawn to further their agenda in the state. I do not disagree with them on the real issue at hand, but I do dislike HOW they’re doing this.

LGBT rights / equality is important and Tennessee is a hotbed right now.. but by demonizing Tracy Morgan, the new victim has become free speech. Comedians – and all artists of any medium – must be able to communicate whatever they want, however they see fit. As soon as one subject/word/idea is “off limits” then it’s ALL taboo. Tracy’s words were in the context of a show, NOT a political statement.

Tracy’s act was paraphrased second-hand in text by someone who was offended by a performer who has said similar things many times before. Yes, it was “violent imagery” and it would be “disturbing” IF you thought he would act out literal interpretations of his ACT in REAL LIFE.. but what moron actually believes that?

Sometimes I say the exact opposite of what I mean and exaggerate view points I totally DISAGREE with, but sarcasm doesn’t translate to text. We can’t take the literal meaning of the text of the words comedians say in their ACTS and use that to try to judge their REAL WORLD opinions. Johnny Cash did not kill a guy in Reno. Steven Wright didn’t have a pony. Tracy Morgan wouldn’t stab his kid to death. Use your brain.

If special interest groups who exist ONLY to be offended by things are allowed to dictate what artists can say.. Freedom of Speech is dead.

I have been outspoken in the Nashville media this week. A lot of people I’ve talked to feel the same way. I find it ironic that because of this controversy comedians are now being bullied by the LGBT community.

I’ll be on NewsChannel5′s “Open Line” show tonight from 7-8pm Central (on NC5+) discussing the Tracy Morgan controversy. You can call in: 615-737-7587.

[ UPDATE: Here's a link to video of the first ten minutes of the show. ]

Gay or straight, sane or crazy, I love you – each and every one. Your pal, Chad Riden

BOY did Tracy Morgan stir up some controversy on June 3rd at the Ryman.. I’m sure you’ve heard. NashvilleStandUp’s Chad Riden (hey, that’s me!) has been very vocal about the situation.

I’ve been interviewed by The Tennessean (who just had to copy and paste my email but STILL spelled my name wrong. Way to go, lamestream media.*), US Weekly and NewsChannel5.

You can read my initial reaction to the controversy here on N’Sup.. and NewsChannel5 (CBS) here in Nashville will air part of an interview we shot today on their 6pm newscast tonight (Tuesday, 6/14).

THEN, I’ll be at Zanies telling jokes / crazy stories about Tracy Morgan during my set on the 6/14 N’Sup Showcase (doors @ 6:30, show @ 7:30 – $5). NewsChannel5 will probably come out and tape some of that show tonight and might interview people about their reactions to what has been going on.

Wednesday, I’ll be on NC5+’s “OpenLine” show debating the issue from 7-8pm.

UPDATE: here’s the link to the transcript of the package that aired on NewsChannel5′s 6pm show and here’s the video:

* Unfortunately, sarcasm doesn’t always translate in print. Imagine me saying that while doing an impression of Tina Fey doing an impression of Sarah Palin.

PunchlineMagazine’s Meagan Kate is in Portland reviewing the Bridgetown Comedy Festival. Here’s what she had to say about our pal, Billy Wayne Davis:

“I also got to see Billy Wayne Davis (finally), whose Southern charm made the audience warm to him immediately, and his material was on point. Also: he is adorable.”

You can read the rest of the write-up here, but that’s the only part that talks about how great NashvilleStandUp alum’s are.

UPDATE:
OregonLive.com wrote a short wrap-up of the festival and closed it with a quote from our pal:

Billy Wayne Davis got a laugh about the “Keep Portland Weird” slogan and its obviousness. “It’s like San Francisco going, ‘let’s keep the Bay here!’”

Nissan whistle-blower Sharyn Bovat just got written up by Punchline magazine – who embedded a video of her performing at Spanky’s last Tuesday. Of course, the Spanky’s regulars are heard talking in the background and/or heckling, so congratulations on YOUR punchline magazine debut, as well:

Punchline’s Josh Evans wrote, “Granted she’s by no means a seasoned comedienne, but Bovat shows some promise, if only for her comfortable stage presence and ability to generate at least a few good laughs.”
Sharyn will perform at Zanies Nov. 17th as part of Rik Roberts’ School Of Laughs graduation performance show.

TotallyCrushedOut has an interview with NashvilleStandUp alum Billy Wayne Davis. To introduce him, they say:

“Anybody that has been around the Seattle comedy scene knows the name Billy Wayne Davis. He’s a self-described hillbilly who has a distinctly intellectual aspect to his stand-up. His comedy is polished and smart. It is not what you (or Hollywood Agents) expect when you hear his distinct Southern accent. I’ve seen him perform numerous occasions and am always surprised at how well he handles himself and put hecklers in their place.”

B-dub talks about how he got into comedy, his worst day job ever, why he moved to Seattle, fighting the ‘stupid southern hick’ stereotype, and how he balances his life on the road with having a wife and a baby.

Read the whole interview at totallycrushedoutmag.com. If you visit Billy Wayne Davis’ website over at BillyWayneDavis.com, you can read about his current bus tour with Ralphie May:

This week I’m flying down to Sacramento on Thursday and doing the Crest Theatre with Ralphie May. Then, we hop on a tour bus up to Portland for a show on Friday at the Newmark. End up in Seattle at the Moore on Saturday and the Met in Spokane on Sunday…….I’ll be flip camming the whole trip and updating them on my YouTube page…….more to come.

UPDATE:

We just learned that BW will appear in a documentary about Seattle comedy appropriately called “Seattle Komedy DokumentaЯy.” The first trailer was just released with this note from the producers: “In 2007, Seattle was at the epicenter of an amazing stand-up comedy movement. This documentary follows the very recent rise, fall and rebirth of the alternative comedy scene and proves that Seattle is many things, but one of those things is a place where great players get their start.”

LEO Weekly has posted an interview with our good friend Paul Strickland. Here’s an excerpt of him talking about getting too personal on-stage:

“When I first started talking about my divorce, I didn’t really know where the line was, and it would get a little too much for the audience to handle. The key to it, for me, is to take something that’s personal, that’s honest and is true and find a way to talk about it in a way that entertains strangers. That’s the challenge of comedy, I think — to find a way to craft honesty and truth into something that’s funny.”

Read the rest of the interview on LEOweekly.com and catch up with all things Strickland at his site TalkingPaul.com.

Nashville-native comedian / author / lecturer / Vanderbilt graduate / funny person Jeff Havens is currently touring with his “How to Get Fired!” lecture / presentation / funny thing. The Kokomo Perspective recently wrote up his upcoming appearance at IUK:

Jeff Havens

Some questions Havens will ask his audience include, “Does the idea of working for a living depress you?”, “Would you rather play video games and update your Facebook profile than suffer through a lifetime of stable employment?”, and, “Does paying your rent seem like just too much of a hassle?”
[read the rest of the article here]

“How to Get Fired!” is also available in the quaint “book” format (an archaic form of communication involving something called “paper” that does not work at all on your iPad), available on his website, JeffHavens.com. NashvilleStandUp only wishes Jeff would have told us how not to get fired 10 years ago when we were still “employable” – now, we’re just damaged goods. Way to go, Jeff. Way. To. Go.

The Nashville Scene recently wrote-up Nashville’s red-hot African American comedy shows with plenty of quotes from Renard Hirsch, Brian “B-Cov” Covington and Kevin “Renegade” Green. These shows are always fun and usually sold out, so if you go get there early. Here’s what the Scene wrote:

There’s plenty of funny business happening in Music City, and some of it has nothing to do with the dubious budgetary practices of local officials or buffoon ideologues. Nashville’s black community has a comedy scene that’s now exploding alongside its more prominent and publicized theatrical and musical ones.

Such locales as The Corner Bar on Elliston Place, Café Bella and Nashville Center Stage are home base for many popular events. These include Money Marc and Sleezy’s Wild Funny Wednesdays (8:30 p.m. weekly), Renard and B-Cov’s Urban Soul Comedy Hour (8:30 p.m. each Thursday) and Just Jokes (bi-monthly shows). It’s a safe bet the jokes and routines unveiled at these places are spicier, voiced differently and emerge from a cultural base and perspective that’s not heavily represented on late-night network television or Saturday Night Live.

Renard Hirsch

Hirsch, Brian B Cov Covington and Atlanta-based Nashville native Kevin “Renegade” Green are among the most well-known and popular comics making regular appearances at various Music City sites. They understand and appreciate the demands placed on comics in general and the inevitable issues faced by African-Americans operating in the genre regarding content, direction and sensibility.

Kevin 'Renegade' Green

“Most of my show is political and social topics because those are the topics that’s relevant to everyone,” says Green. “That and family. I try and stay abreast with what’s going on in society. Knowing your audience is the biggest thing to me. I have to understand who I’m trying to make laugh.”

Brian 'B-Cov' Covington

They are also 21st century comics. Green got his start doing open mic nights around Nashville in 2001, and four years later he was appearing with many others, including Covington and Hirsch. Hirsch found stand-up to be his forte while majoring in speech and theater at TSU in 2001, and Covington began in late summer that same year.

In addition, they’ve come of professional age in an era when the content and linguistic freedom afforded Richard Pryor, Paul Mooney and Eddie Murphy — not to mention such predecessors as Redd Foxx, Nipsey Russell and Slappy White — is under siege from advocacy groups zealously trying to protect the African-American image from what they deem overused stereotypes, vulgar personas and one-dimensional portrayals. Still, they maintain they are unconcerned with political correctness.

“When I go onstage I don’t go with the intent to say something that is going to scare the pants off the audience,” Hirsch says. “I’m not knocking comics who do, it just isn’t my style. My goal is to make people laugh at some everyday topics, enjoy life and forget the stresses of the day.”

Covington, for his part, says he doesn’t worry about political correctness because he likes the challenge of getting a laugh with inoffensive material. Still, he says, a comic must walk a fine line.

“You want to have that edge that people expect of comedians, but you also don’t want your crowd to feel uncomfortable,” he says. “The best comedians can say what people are thinking but don’t know to get it out the right way. I think people enjoy and respect you when you’re honest. B.S. does have an odor!”

“I’m a comedian,” Green says. “I tell jokes. I don’t say anything to be mean-spirited or disrespectful. Club owners worry about political correctness more than comedians. Now saying that, I don’t talk as brash when I’m doing a mainstream show as when I’m doing an urban show.”

Their ability to simultaneously be universal and specific also reflects their array of influences. Covington cites G-rated types like Bill Cosby, Sinbad and Flip Wilson, and has equal praise for Billy Crystal, Robert Townsend and Damon Wayans. Green’s just as quick to rave about George Carlin as Bernie Mac and Dave Chappelle, while voicing special praise for a colleague, local performer T.C. Cope. Hirsch’s long list of favorites includes both Chris Rock and Zack Galifianakis. Thus their material has scope, topicality and variety, and can easily be shaped to work in any particular place and reach any audience.

While giving praise to promoters and behind the scenes types like AG Granderson (the guiding light that’s helped make both Jazz and Jokes and his newest venture Just Jokes prime factors in the city’s comic world) and John Wright (a central figure behind the Urban Soul Comedy Hour), Hirsch, Covington and Green feel things are just getting started for black comedians in Nashville.

“I feel like this is a ‘perfect storm’ situation because when we started the Wednesday-night dates lots of new talented people came out, and now we have a bigger comedy community than ever,” Hirsch says. “I think black comedy is taking off because we get out and hustle to get people in seats.

“Contrary to what a lot of folks in Nashville think we [black folk] will get out and support.” Covington says. “Now we’ve got a new wave of comedians that look up to us, like we got a TV show or something, just because we’ve been doing it longer. So we don’t look at them like competition; it’s just more funny people around that can help the movement here. We all promote and support each other because one person isn’t going to get this city on the map as far as comedy goes.”

But their focus is even broader than that suggests. “It should be noted that our stages are open to every ethnicity,” Renard Hirsch says. “Black, brown, white, green, it doesn’t matter. Funny is funny.”

(Renard Hirsch and Brian B-Cov Covington’s Soul Comedy Hour stars 8 p.m. Thursday at Café Bella, 209 8th Ave. South. Admission is $5. Check Kevin Green’s facebook page for updates on his Nashville appearances.)

Monty Mitchell recently won the Funniest Person Contest at Harvey’s South Street Comedy Club in Jackson, TN. The Jackson Sun interviewed Monty about his comedy career and we’ve totally violated copyright laws by cutting and pasting the entire thing right here:

From left: Mark Anundson, Monty Mitchell and Kevin Green are seen at Harvey's South Street Comedy Club. Mitchell won the club's Funniest Person Contest.

Monty Mitchell knew from the first time he made other children chuckle at the lunch table, he was addicted to hearing laughter.

The now 36-year-old’s comedic stylings won him the Funniest Person Contest at Harvey’s South Street Comedy Club, 559 Wiley Parker Road in Jackson.

Mitchell won the honor over 100 amateur and semi-professional comedians during a six-week period. Besides the title, Mitchell also won cash, a promotional package and stage-time on the New Year’s Eve show, as well as two more appearances in 2010.

The lifelong Cookeville resident travels weekly to Nashville and hits other spots to continue to build his stage presence.

“I got a paddling in schools so many times for acting out,” Mitchell said last week about his childhood. “I’d do anything I could to make people laugh. I just now was able to find a way to get on stage and figure out how all that works.”

On Jan. 28 and 29, Mitchell will host shows headlined by Cledus T. Judd at Harvey’s South Street Comedy Club.

Mitchell spoke with The Jackson Sun about his side job.

Question: You’re an insurance salesman and do comedy on the side. Do you find the two contradict each other, or does it provide you with some of your humor?

Answer: I kind of take on a different personality on stage, or maybe I’m a different person at work. Maybe it’s truly me on stage; I don’t know. I don’t mingle the two at all. Most people don’t know that I do this.

Q: How would you describe your comedic style?

A: I’m not sure. I’ve been told that it’s kind of conversational-type comedy. Mostly it’s true stories that happened to me. I’m not a one-liner kind of guy, so they’re kind of long stories, but they’re about 50 percent true. You start out with the truth and make it absurd at the end.

Q: How do you push yourself and challenge yourself creatively?

A: I write five new minutes every week, and it seems most of the five minutes, nine out of 10 times ends up being junk; I take it to the open mic and test it out, and it ends up going in the back of the comedy folder. But it keeps the creative juices flowing. I find that works best for me.

You can’t substitute stage time. There’s nothing else. You’ve got to get on stage, and there you develop what you call your voice. It really does develop slowly, and you find yourself.

Q: What comedians have or do inspire you the most?

A: Growing up, Eddie Murphy was my favorite. I listened to “Delirious” until I broke the cassette tape.

Now I like Louis C.K., Jim McDonald. These guys are continually writing, always updating their stuff. They’re really involved in it 100 percent, they’re always looking for new ways … I find that amazing.

On the Net:

southstreetcomedy.com

- Stanley Dunlap, 425-9668